![]() Watch why Stone wanted to put the film out now » If Stone came to bury the president, he winds up casting him as an unlikely underdog, the younger son apparently incapable of maintaining an honorable family's traditions, always coming up short in his father's cold, judgmental eyes. At that time, it will surprise no one to hear, he conducted himself with the dignity and decorum of a merchant seaman on shore leave.īut "W." also occasionally gets at something deeper. Bush is there on screen, particularly in those episodes that center on Junior's younger days. Comedienne Kitkat, however, playing an already one-note character, gave a puerile performance that may be more at home in a skit for a noontime show.The ads play up the attack angle many people might prefer to see right now: "Dubya" the boob and the drunk, ascending to the highest office in the land as if by birthright, only to discover that he's in way over his head.įair enough. You can put Ima Castro and Michael Williams in any role on any show and they’ll knock it out of the park. John Arcilla brings to the stage the same commanding presence that make his big screen roles so iconic. Nonie Buencamino always shows us that he’s a man of all talents, and this time is no different. Slapdash though the story may be, it was still great fun to watch these time-tested thespians play off of each other on stage. There’s also Stan, who may have changed the most, but this change seemed to have made his life better after his stint as a boy band member, which is in stark contrast to the other guys. You don’t often hear “Kabit ka lang!” thrown at male characters. For one, there’s no two women fighting over the same guy. ![]() The material does turn some tropes around, which is admittedly refreshing. the drama between Freddie (John Arcilla) and Spanky (Nonie Buencamino) unfolds It’s an unwieldy jumble that somehow untangles itself by the finale and every character gets his best possible ending. Everything is up in the air– Frankie, Spanky, and Rose are having a long overdue confrontation, Greggy is grappling with the bombshell that he actually can’t sing, Stan reveals what Bebong means to him… too many subplots bury the core premise until a phone call renders it all moot. On top of their personal problems and men-of-a-certain-age problems, they’re also worried whether or not the public will still care if they do a reunion show. While it was hilarious watching these 50-something stars keep up with “Mag-Exercise Tayo Tuwing Umaga” or sing about their, ahm, bodily functions, in “Saludo”, it’s the big ballads like “Nakapagtataka” (affecting performance by John Arcilla and Nonie Buencamino) and the act one closer “Kastilyong Buhangin / Ako Na Sa Yo” that brings the house down and reminds us that there’s a plot and point to all this. Songs (original and hits from the 80s) are sung though not all of them are there to move the story along. ![]() Eugene (Robert Seña) convinces the group to help Bebong L-R: Spanky (Nonie Buencamino), Jeza (Kitkat), Eugene (Robert Seña), Greggy (Bo Cerrudo), Stan (Michael Williams) There’s also Rose (Ima Castro), a friend of the band, and her son Frankie (Fred Lo). Greggy (Bo Cerrudo) has a bit of a drinking problem, Freddie (John Arcilla) is home from the States, and Stan (Michael Williams) seemed to have changed the most. Eugene (Robert Sena) is living a good life, if ordinary. Spanky (Nonie Buencamino) owns a bar and is dating a hot young woman (Kitkat). In the first act, these guys mostly just reacquaint themselves with each other. The group watches a video message from sick pal Bebong ![]()
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